About two years ago at a small restaurant in Ft. Greene, Brooklyn, I had the chance to interview BK-based producer DJ Center. For those who may have missed the posting, I wanted to share it again because we seem to have entered the era of celebrity DJs, those who do it for the “rock-star appeal” instead of the heart and respect it deserves.

I’ve said it before (and I’ll say it again) that if I didn’t love writing so much, I would probably be a DJ. Nonetheless, in the talk Center speaks on toeing the line between soulful house and hip-hop; his debut LP Everything in Time, his best set, and the evolution of the DJ.

To get us all better acquainted, tell us about your background. 

I was born in Romania, bred in New York. I came up with a hip hop background and from there got into soul and the classics. My mentor coming up was a jazz musician, so I have a jazz background as well. I first got in to it playing live situations, being a DJ with other musicians in a live setting; and then using the turntable as an instrument, and doing live production. From there, I cut my teeth right here in Brooklyn in terms of party-rocking, in clubs and lounges and understanding how to work a room. Also I learned to take people on a ride with me. So then I was fortunate enough to travel…I was going out to Cali a lot about 10 years ago, and built with DJs out there and was also picking up influences over there. I also made it to Europe and Southeast Asia as well. Just picking up all these different influences and so I think when you hear my sets now, everything from all my travels and experiences come across now. No longer is it just a hip-hop set or a hip-hop-and-soul set. It is hip hop, soul, jazz, funk, reggae, Latin…it’s all those things because I love music.

This segues right into my next question: Because when I listen to your music I hear the jazz, I hear hip-hop, I hear Latin flavor, but also I hear a lot of other cultures, that said: How would you categorize yourself as a DJ? Do you want to be known as a soulful house DJ or a downtempo DJ, or even a hip-hop DJ? 

I just wanna be known as a good DJ. To me my favorite DJs and the best DJs aren’t put into boxes. They just play music and it’s always different, right. What they do, they are able to read the energy in the room really well and play that set for whatever that moment is, as well as educate the people. So I think at the end of the day, I just wanna be known as somebody who loves music and makes people feel good with the whole palette of the musical spectrum that I have…

So what would you say has been your best set? 

I think my favorite and best sets were probably overseas in Europe. I would say Barcelona or London. I’d say that because of the openness and the reactions. I think over here in the States we may have our guard up, we might be a bit too-cool-for-school, have too many cliques going on, even worried about what other people may think [about our musical tastes]. Overseas I feel like the response to music is…and if you put it down right is…explosive. I mean you’re doing these huge rooms and the energy is through the roof and the appreciation is crazy. Though I haven’t been to Japan yet, I hear it’s a similar thing over there in terms of appreciation and just how much they love it. And as a DJ you connect with the crowd, right. What they give you is what you give back, and because you have that energy coming back at you, it makes you take it up a notch.

Have you ever had to change a set because of the energy of the crowd?

Oh yeah, all the time. I mean you can do your planning but I think when you’re in that moment, that’s really what’s going to guide you.

For the creation of Everything in Time, how did you come to record it and how did you know that now was the time to bring it to the masses? Because like you said you’ve been in the business for 10 years now.

I think…that’s a good question. I think there’s a natural evolution you go through as a DJ –where you start as a music lover, then you become a DJ; then you expand your vocabulary as a DJ and you get DJ experiences, and the natural step is going into the studio and laying down tracks, because you already have the crazy record collection you’ve amassed. So the inspiration and the influences in your library are endless and you start to get ideas. And there’s a clear relationship between putting together records and having them blend and mix in a live setting and taking sounds and instruments and working with musicians and blending those and having them mix. It’s pretty much a continuation.

Also, I remember being in Amsterdam and the promoter said something that really impacted me. It had to be like 2003 or 2005, and it was after the show and we were having dinner, and he was like what you do here is incredible, when you can come here for one night and rock it and people remember you that’s amazing, but when you produce music and have a product that you leave behind, your music lives on when you’re not physically here. And that moved me, you know what I mean. It was like that makes sense, how do I leave a piece of myself behind, beyond just mixes. So I think that was the start of it. I came home from that trip and I was like I gotta get to work. And three years later, you have Everything in Time.

So before that point, you never thought about putting out an album? 

I mean I had worked in different capacities with a group, and we were putting out records, but a solo record that was the first mention. 2007 was when I really started getting serious, built a studio and pretty much dedicated my life to it.

How long did it take you to record this project?

It’s a three-year record. It took three years from start to finish. When I set off, I thought it would take three months; and that’s why it’s called Everything in Time. Because you can plan all you want, but until it’s ready, until it’s time…

There seems to be an underlining thread of positivity and motivation on the album, was that intentional?

That’s a good question, I don’t think it was intentional, but at the same time…I can say that to me, music is therapy. I think when I’m rocking a crowd I know that it’s therapy for the audience too. ‘Cause they’re probably escaping from their day-to-day and music has that power to take you out of your immediate environment and take you to a higher place. So I think that’s something I always strive for, to make music that can do that and have an effect on people is the goal. I want to make people feel good, and hopefully when they listen to it; it’ll remove whatever they’re dealing with for the time. So I think that was a subconscious intent. And you know just being a positive person and just living your life a certain way, that’s gonna be reflective in every interaction you have, and of course the music…

I’m always curious as to what DJs listen to when they’re not working, so what do you listen to in your off time? Like what’s playing on your iPod right now?

It’s funny when you’re in the club; you’re playing more up-tempo or party music, regardless of the genre. But at home I’m actually very downtempo. I’m very lounge-y in the crib. I’m listening to a lot of roots reggae, like 70s stuff; a lot of downtempo instrumentals, jazz; you know like Coltrane is a steady favorite. I’m listening to a lot of vocalists from overseas like there’s a woman who’s Tunisian, I actually worked with her on my record; her name is Samia Farah. She’s Tunisian, raised in France and sings in French; and I remember she had this jazz-quality in her voice. She reminds me of a French Billie Holiday. Like there’s something really old-school about her, I mean like 50s old school. So she kind of gave me that quality [on the record] and her catalog is bananas too; so I’m bumping her. What we did is cool, but her own stuff is like…dope. But most especially the reggae stuff on production.

This is my final question, tell us about the name: DJ Center. 

It comes from…when I think about my relationship with music, and what I want to put forth out there. My favorite music is honesty. You know stuff that doesn’t hide behind anything, facades; or any kind of stigma or hype. I’m talking about Sly and the Family Stone, Donnie Hathaway. I’m talking about real artists, honest artists. And I think I wanted that same reflection in my name. And to me your center is your core; it’s like when you pull away all your layers, that’s what’s left. That’s where the name really stems from. And of course, the double meaning in hip-hop, the DJ is the center; the centerpiece of the foundation. So it has that double play as well.

Everything in Time  released February 2010; the remix album dropped November 2011.

provided by Scratch DJ Academy