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- Album Review: DJ Unwind – Épais (Downtempo/Trip Hop)
- New Artist: Sevyn Streeter – “I Like It” (Video)
- You Should Know: Andreya Triana (Video Interview/Soul Bounce)
- Black Cab Sessions: Solange performing “Bad Girls”
- New Album Releases: May 7, 2013
- You Should Know: Onra (Video Interview/The Daily Motive)
- New Video: Janelle Monae & Erykah Badu – “Q.U.E.E.N.”
- New Album Release: April 23, 2013
- New Video: Leonard Friend – “Every Woman”
- New Album Releases: April 9, 2013
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You Should Know: Andreya Triana (Video Interview/Soul Bounce)
British soul singer Andreya Triana is an artist I’ve been following since 2009; the following year, I interviewed her for Nu-Soul Magazine. She’s really humble and down to earth. Here, the songstress speaks on new music, her writing, tour plans and then she shares a new tune “Everything You Never Had,” the first single from her forthcoming EP (due out soon).
I agree with Soul UK, the writer at Soul Bounce who says, “Andreya sounds best when everything is stripped right back and you can really focus on her gorgeous tone, and “Everything You Never Had” is a perfect example, as she sings a deeply emotional tribute to her mother.”
It’s a beautiful song, but I didn’t expect anything less.
Though featured on several music releases over the years, from Flying Lotus’ “Tea Leaf Dancers” in 2007, Mr. Scruff’s “Hold On” in 2009, as well as many tracks with fellow Ninja Tune artist Bonobo, Triana released her debut LP Lost Where I Belong in 2010.
New Video: Janelle Monae & Erykah Badu – “Q.U.E.E.N.”
“Welcome to the living museum where legendary rebels throughout history have been frozen in suspended animation,“that’s the intro to Janelle Monaé’s latest video for her new single “Q.U.E.E.N.” featuring Erykah Badu (aka Badula Oblongata). The jazz-funk-hip-hop mash is the lead track from Monaé’s upcoming sophomore release The Electric Lady due out this summer via Atlantic Records.
Directed by Alan Ferguson, the visual stars Monáe and Badu as thawed-out rebels who throw a dance-party in a futuristic museum, where she and the rest of her ‘Wondaland’ crew show off their latest dance moves. Such a dope video! Watch it below and be sure to cop “Q.U.E.E.N.” via iTunes.
New Music: India.Arie – “Cocoa Butter”
Always the lovely storyteller, neo-soul singer India.Arie returns with “Cocoa Butter,” the new single from her upcoming studio album, Open Door. The song seems to be an ode to the healing power of a new love. Open Door is a follow-up to Arie’s 2009 LP, Testimony: Vol. 2, Love & Politics. Expect new project this summer.
[Via The Singersroom]
Live Review: Bruno Mars at Reliant Stadium (3.7.13)
HOUSTON, TEXAS – Pop-soul singer Bruno Mars is the total package. He plays the guitar, drums and piano. He’s an accomplished songwriter, co-penning hits like Travie McCoy’s “Billionaire” to B.o.B’s “Nothing on You,” and he can dance, too. Last Thursday night he packed Reliant Stadium, bringing in 75,000 screaming fans — a record attendance, according to Rodeo Houston.
Mars carries a casual and comfortable stage persona and exudes self confidence. Dressed in a checkered flannel shirt, lime-green t-shirt, blue jeans and sneakers, the Hawaii-born singer immediately got down to the singles from his current LP Unorthodox Jukebox, released last December via Atlantic Records. He began with “Moonshine,” then moved to “Natalie” and “Treasure,” onto “Show Me,” mashing it with “Our First Time,” another R&B-reggae tune from his debut Doo-Wops & Hooligans.
Honestly, it was a short set. Thirteen songs in a bit over an hour. But ask me if it mattered? Mars danced and hammed it up the entire time. Fans ate it up (including me!). Performing “Billionaire,” mixing it with an oldie “Money (That’s What I Want),” the talented artist segued into “Marry You” from Doo-Wop and back to his recent with “If I Knew,” blending it with Boyz II Men’s 1992 hit “End of the Road.” Bringing the romance full circle, Mars, of course, sang “When I Was Your Man,” the vulnerable ballad that’s as beautiful live as it is on the radio. He closed out the night with chart-toppers “Grenade,” “Locked Out of Heaven” and “Just the Way You Are.” It was the fastest hour of great music I’ve ever witnessed at the rodeo. Total package indeed.
Album Review: UK producer Positive Flow shares FLOW LINES, Tokyo Dawn debut
UK based musician and producer Positive Flow released his latest LP Flow Lines in November of last year, his first for Tokyo Dawn Records. Dropping six years after 2006′s Positivity, this album is a “rich tapestry” of future soul and nu-jazz, with elements of funk and electronica as well. Featuring guest vocalists like British soulster Omar, to Cinematic Orchestra’s Heidi Vogel, to artists like Vanessa Freeman, Stacy Epps, Colonel Red and more, one can enjoy organic beats, smooth blends and an array of musical influences. Jesse Reuben Wilson is the multi-instrumentalist behind Positive Flow.
Recommended spins: “Hold On,” “Children of the Sun,” “My Prediction,” “Orange & Brown” and “In the Garden of Your Life.” Preview “Hold On” below or listen to it on Tokyo Dawn’s website or purchase it all on iTunes.
Flow Lines Tracklist:
01. “Children Of The Sun” feat. Heidi Vogel
02. “My Prediction” feat. Omar
03. “Orange & Brown”
04. Hold On feat. Colonel Red
05.” Tapestries Of My Mind” feat. Andre Espeut
06. “Phaedra’s Flight”
07. “Push” feat. Stacy Epps
08. “Do What I Do” feat. Omar
09. “In The Garden Of Your Life” feat. Vanessa Freeman
10. “Axis”
11. “Stronger Than A Mountain” feat. Heidi Vogel
12. “Look Around Any Corner” feat. Sharlene Hector
13. “The Quest Parts 1 & 2″ feat. Tesia Rolle
14. “Capoeira”
15. “Universal Truth” feat. Andre Espeut & Heidi Vogel
Shabazz Palaces & THEESatisfaction co-headline spring tour
Experimental-rap duo Shabazz Palaces and fellow Seattle crew THEESatisfaction is set to co-headline a North American tour starting this spring.
Shabazz Palaces released their experimentally clever debut Black Up in 2011, while Catherine Harris-White and Stasia Irons (who appeared on Black Up) dropped their proper LP awE naturalE last year. According to Pitchfork, “both groups will collaborate throughout the tour.”
Both artists are also featuring music in the “Visual Art & Music, Post-Hip-Hop Era” exhibit at Brooklyn’s Museum of Contemporary African Diasporan Arts, showing now through May 26. The exhibit also includes sounds by Blitz the Ambassador, Flying Lotus, Seu Jorge, Just A Band and Spoek Mathambo, to name a few. Details about artist talks, performances, block parties and more are available on MoCADA’s website.
After the tour dates, check out the “eMERGING: Visual Art & Music” exhibit video at MoCADA.
Shabazz Palaces:
04-19 Minneapolis, MN – Fine Line Music Cafe *
04-20 Madison, WI – University of Wisconsin – The Sett *
04-21 Grinnell, IA – Grinnell College *
04-22 Detroit, MI – Magic Stick *
04-23 Toronto, Ontario – Lee’s Palace *
04-24 Ithaca, NY – The Haunt *
04-25 Middletown, CT – Wesleyan University – Eclectic House *
04-26 New York, NY – Bowery Ballroom *
04-27 Washington, DC – Black Cat *
04-29 Charlottesville, VA – The Southern Cafe & Music Hall *
05-01 Memphis, TN – Rumba Room *
05-02 Dallas, TX – Granada Theater *
05-03 Houston, TX – Fitzgerald’s *
05-04 Austin, TX – Red 7 *
05-06 Denver, CO – Larimer Lounge *
05-07 Salt Lake City, UT – Urban Lounge *
05-08 Boise, ID – Neurolux
05-09 Victoria, British Columbia – Upstairs Cabaret +
05-10 Vancouver, British Columbia – Fortune Sound Club
* with THEESatisfaction
+ with Monolithium
[via Pitchfork]
eMERGING :: Visual Art and Music in a Post-Hip-Hop Era from MoCADA on Vimeo.
Day 22 of 28 Days: Davina, BEST OF BOTH WORLDS (1998)
Blending classic soul with neo soul, Davina appeared on the music scene in 1998 with her debut LP Best of Both Worlds through Loud Records.
The songtress wrote and self-produced the entire project. But unfortunately, it peaked at 180 on the Billboard 200 charts, resulting in her being released from her label. Though ”So Good” and “Come Over to My Place” were the biggest hits on urban radio, several album cuts stand out as well, including “Give Me Love,” “Mercy,” “Getz No Where,” and “After the Rain.” Either way “Come Over To My Place” is a fan favorite.
Day 21 of 28 Days: Various Artists, EARGASMS: CRUCIAL POETICS, VOL. 1 (1997)
Eargasms: Crucial Poetics, Volume 1 released March of 1997, and included music in the vein of spoken word and conscious rap. The artists featured are a diverse list of poets, singers, actors, activists, playwrights, authors and I believe, one professor. It includes Saul Williams, Mos Def, Jessica Care Moore, Mike Ladd, Sarah Jones, Rha Goddess, Abiodun Oyewole of The Last Poets, Latasha Natasha Diggs and Kymbali Craig, to name a few.
Recommended spins: “My Pen,” “Twice The First Time,” “Metaphorplay,” “My Caged Bird Don’t Sing,” “Gunsmoke,” Last Days” and “Bladerunners.”
Sarah Jones – “Metaphorplay” [mp3]
NYC: The Roots, Talib Kweli to honor Prince at Carnegie Hall, Mar. 7
NEW YORK CITY – Benefiting music programs for under-privileged youth, The Roots, Talib Kweli, D’Angelo, Bilal and more are set to honor the music of Prince at Carnegie Hall on March 7, 2013.
“The concert will mark the ninth year that Michael Dorf, the founder of City Winery, has mounted a show to raise funds for education programs serving the poor,” says the New York Times.
This year, the programs benefiting from the event are the American Symphony Orchestra, Church Street School for Music and Art, Fixing Instruments for Kids in School, GRAMMY in the Schools, Young Audiences New York, Little Kids Rock and the Center for Arts Education.
In a statement Dorf admits: “Prince is one of the most prolific songwriters in my collection, and he makes my Top 10 when I think about the artists who have truly shaped modern music.” An eclectic array of musicians will reinterpret the catalog of the artist, including Bettye LaVette, Blind Boys of Alabama, Citizen Cope and Alice Smith, Elvis Costello, Princess (feat. Maya Rudolph and Gretchen Lieberum) and Sandra Bernhard.
Past tributes have been for The Rolling Stones, The Who, R.E.M., Joni Mitchell, Bruce Springsteen, Elton John, Neil Young and Bob Dylan.
This year’s event will be curated by drummer, producer and resident “Prince-fanatic” Amir “Questlove” Thompson. Tickets start at $48. To purchase, visit Carnegie Hall’s box office or buy online.
[Via The Revivalist]
Day 12 of 28 Days: LOVE JONES Soundtrack (1997)
Love Jones: The Music released in the spring of 1997, as the soundtrack to the romantic drama Love Jones starring Larenz Tate, Nia Long, Isaiah Washington, Lisa Nicole Carson and Bill Belamy. It is one of my most favorite R&B and neo-soul collections from the 90′s. With sweet and smooth songs such as Lauryn Hill’s “The Sweetest Thing,” Amel Larrieux’s “Never Enough” and Me’shell Ndegeocello and Marcus Miller’s “Rush Over,” it’s no wonder it hit the number-three spot on the Billboard charts for Top R&B/Hip-Hop album.
But it was “Hopeless” written by former Arrested Development singer Dionne Farris and artist-musician Van Hunt that’s still high on my playlist. I couldn’t agree more with Allmusic.com when they said: “Dionne Farris’ “Hopeless” is an intelligent, timeless gem of a ballad.”
HOUSTON: Erykah Badu plays DJ set at Scott Gertner’s on Valentine’s Day
Soul artist Erykah Badu (also known as DJ Lo Down Loretta Brown) will play a special three-hour DJ set dubbed “The Analog Love Show” on Valentine’s Day, Thursday, February 14th at Scott Gertner’s at Houston Pavilions in Downtown Houston. Tickets start at $75. Doors open at 7pm. More deets here.
New Video: ArinMaya + Theimagination – “Do You Think”
Representing Brooklyn by way of Chicago, ArinMaya is the singer-songwriter behind “Do You Think,” the dope soundscape and visual from her latest project Her Imagining, alongside L.A. bred producer Theimagination. “Her Imagining” is the duo’s group name too.
Combining elements of nu-jazz and nu-soul, the collaborative LP is a fusion of influences from classic soul to electro soul with experimentation to boot. I think I hear some 4Hero, Sa-Ra and Ras G production inspiration from T.IM. With personal projects like her 2011 debut Let the Love Come; the hip and beautiful cover of Diana Ross’ ”Love Hangover” in 2010; as well as The Sound of ArinMaya EP in 2010, the talented singer is proving she’s ready for a pretty cosmic 2013.
Day 10 of 28 Days: Erykah Badu, BADUIZM (1997)
Erykah Badu released Baduizm, her phenomenal debut LP, on February 11, 1997. The Roots crew supported the album on tracks such as “Otherside of the Game” and both versions of “Sometimes.” According to AllMusic.com, Badu returned the favor by guesting on The Roots’ fourth studio album, Things Fall Apart (1999) for the hit single “You Got Me” (co-written by Jill Scott).
Baduizm was blues, it was soul, it was cool, it was love; it was emotional. It was poetic. From lead single “On & On” to the intriguingly beautiful “Next Lifetime” to remaking Atlantic Starr’s “Touch a Four Leaf Clover,” Dallas-bred Erica Wright held her own amongst fellow neo-soul artists D’Angelo and Maxwell.
Day 9 of 28 Days: Eric Benet, TRUE TO MYSELF (1996)
“Let’s Stay Together,” “Spiritual Thang” and “Femininity” were single releases from R&B singer Eric Benet’s debut studio album, True to Myself via Warner Brothers Records.
The original version of “Let’s Stay Together” appeared on the soundtrack to the 1996 film A Thin Line Between Love and Hate that released earlier in the year. Over the last 10+ years the Wisconsin native has produced six more LPs — including 1999′s A Day In The Life and his latest 2012′s The One – and each product is as consistent and sweet in R&B sounds as his first.
Below is my favorite on True to Myself: “Let’s Stay Together [Midnight Mix]”
Day 8 of 28 Days: Maxwell, URBAN HANG SUITE (1996)
Brooklyn native and Grammy-winning artist Maxwell released his debut studio LP, Maxwell’s Urban Hang Suite in the spring of 1996. Blending the sounds of funk, jazz, contemporary R&B and quiet storm, Maxwell (among others) ushered in the new music genre of neo soul that was most popular during the mid-to-late 90′s. Produced almost entirely by the multi-instrumentalist, along with Stuart Matthewman (of Sade and Sweetback) as well as soul musician Leon Ware, Urban Hang Suite went on to sell over a million copies within a year of its release. [Columbia Records]
Admittedly, I only fell in love with Maxwell initially because he reminded me of Prince, whom I’m a huge fan of. But there’s no denying how lovely “…Til The Cops Come Knockin’” makes you feel when it’s played at the right moment… and with the right person.
Pt. 2 – “My Teenage Love Affair With Music”
Last February I did a month-long project called “29 Days of My Teenage Love Affair with Music” – which was music I absolutely adored between the ages of 13 and 19, the years between 1988 to 1994. These were not only full-length albums, but single cuts, non-mainstream tracks, cassettes, one-hit wonders, movie soundtracks and the like, that I would play over and over and over again.
That being said, I’m doing it again this year! However, this time around I’m moving forward to ages 20 to 24-years old –- the years of 1995 to 1999. A period where my musical palette continued to grow from R&B to rock to hip-hop to neo soul. And to be honest, a moment in time when music was pretty dope. But especially, a point in my life where not only did my musical taste change, but my personal life did as well. I joined the military and moved away from home for the first time; got my first tattoo; fell in love especially hard, got engaged, broke up; met Morris Day; spent three-months in Haiti; started college; bungee jumped; saw Prince in concert for the first time; moved to Japan; and fell in love even harder. There were good times and not-so-good times, such is life. But the love for music never stopped.
With all the adult changes in my life, naturally my song choices matured too. I went from loving “Dial My Heart” by The Boys in ’88 to adoring “Truly Madly Deeply” by Savage Garden in ‘97. Music is a universal language. No matter where I’ve lived or whom I’ve met, music has somehow found a way into the conversation almost immediately. My hope is that all of you will go down memory lane with me and feel the universal effect music from the 90’s still has on music of today. So feel free to post comments, share it, tweet it, pin it if like.
The first “28 Days” post will begin this Friday, February 1st.
New Video: Marsha Ambrosius – “Cold War”
Tough times lead to extreme choices in the newest video from British songstress Marsha Ambrosius. In the clip, her fiancé, played by actor Michael K. Williams (from The Wire) loses his job, and in a desperate moment to make fast cash, Ambrosius gets into illegal drug sales to maintain their lavish lifestyle.
In a statement regarding the video, the “Cold War” singer says, “[it] really depicts how far you will go for someone you care about. I went to extreme measures to save my love and I clearly did some very illegal things.” Ambrosius’ sophomore release Friends & Lovers is due out later this year.
[via The Singers Room]
My Top 30 Music Releases of 2012
Here is my official year-end list of music releases that captured my heart and ears over the last 12 months. From independent finds on music blogs to major-label promos that hit my email, my top 30 includes various album drops, an exclusive vinyl release from Record Store Day in April, a handful of mixtapes and a plenty of dope singles to boot.
Everything is listed alphabetically. Free downloads are noted as available. In other words, enjoy the sounds!
Alabama Shakes, BOYS & GIRLS (rock/blues/soul)
From playing major music festivals like Lollapalooza, Austin City Limits and South By Southwest all in one year, it’s safe to say that rock and soul outfit Alabama Shakes is set for an even bigger 2013. Their debut album Boys & Girls is a gritty mix of southern rock, blues and gospel-soul. The group’s not-so-secret weapon: Lead vocalist-guitarist Brittany Howard. [ATO Records]
Candice Anitra, BIG TREE (alt-soul)
Brooklyn-based alternative soul singer-songwriter Candice Anitra shares her full-length debut Big Tree with songs of love, hope and various other things. [Candice Anitra Music]
Chi Duly, BALLOONS OF HAUS (electro-dance)
Producer-DJ Chi Duly remixes The Weeknd’s mellow R&B set House of Balloons into a full-on electronic-filled house music mix. [Free Download]
Collette, JUNETEENTH REVOLUTION (soul/hip-hop)
Columbia, S.C.-bred, Harlem, N.Y.-based singer and rapper Collette brings an album of freedom songs for those seeking a free and open mind. Lead single “Material Star” features guitarist Akil Dasan. [ColumbiaSoul Entertainment]
Columbia Nights, Dawn | Dusk EP (jazz/spoken-word)
D.C. by-way-of-Philadelphia duo Columbia Nights debuted a lovely EP in May, mixing spoken-word, jazz and electronic-influenced tracks for 18-minutes of sweet and soulful sounds. [Record Breakin' Music]
Edit Murphy, “Brooklyn Nights” [Fantastic Man Remix]” [single] (classic house)
Edit Murphy crafts a classic house style while shouting out Jay-Z’s hometown borough. (Production by Fantastic Man, an Australian producer). [Smoke N' Mirrors]
SEVEN Questions with Indie Soul Singer Collette
Collette is a Columbia, SC-raised, Harlem, NY-based singer-songwriter bringing positive vibes with her sophomore release Juneteenth Revolution. Taking its inspiration from the African-American tradition that commemorates the ending of slavery in the United States, Collette’s Juneteenth is a celebration of freedom as well. In her own words, it’s a “freedom to live, love, go, give, and find real happiness.”
Continuing to spread a message of hope to the masses, the hip-hop and soul artist recently chatted with Unclouded By Ambition, where she spoke about being free, the revolution still not being televised, the recording process of Juneteenth, in addition to standing out as an indie artist in NYC. Check out the full interview below the video.
Collette’s “Material Star (Juneteenth Remix)” video featuring Akil Dasan.
Juneteenth Revolution has an easy-breezy kind of flow. There’s a sense of happiness throughout it. Was that intentional? And why is freedom so important to you today?
Thank you! Yes, the happiness is very intentional. I think that freedom to pursue happiness is the most basic and important freedom we have. It’s important to me because when I look around at art, politics, the economy, and all of the major issues of the day, they’re all basically struggles for freedom. Social media has brought about an unprecedented transparency, and people are realizing for the first time that they should be free to live and express themselves however they choose. It’s hard, even dangerous in some places, but it’s what we’re all born with and we deserve it.
Is the Revolution being televised now?
Nope, not just yet. But it’s being tweeted, texted, Facebook posted, streamed and podcasted every day. J Television is still very mainstream and almost solely-commercially driven, and the Revolution isn’t sexy enough. Plus, television and other traditional media are all about making the most money, for the least effort. Creativity is not a premium – cookie cutter is ideal. The Revolution I dream of is all about individual ingenuity, and that means time, effort, evolution and no easy shortcuts. The powers that be ain’t ready for that!
This is your second LP. Do you feel any sort of pressure?
I don’t feel any pressure, and that’s the beauty of being an independent artist. The only thing I feel is a great sense of privilege that I’ve figured out a way to share my voice with the world, and a desire to keep on doing that.
How did the recording process differ from Experience Collette to Juneteenth Revolution?
Juneteenth Revolution was a smoother process because I now have a production/engineering collaborator named Terry “20” Poindexter who is based in Memphis, Tennessee. So even as I received tracks from other producers, and produced tracks myself, I was able to get his help with refining them and achieving that consistency that makes an album great. Experience Collette was much more of a solo effort in terms of pulling it all together, which is fine, but I really enjoy having a close and trusted ear to help me refine my ideas.
To me, independent music is honest music. From the heart. How do you keep yourself grounded in an industry that changes so much?
I really draw on my true opinions, experiences, lessons learned and even outrages to formulate my musical material. I also think that having grounded myself in classic, timeless material like Stevie Wonder, Bill Withers, Ella Fitzgerald, Duke Ellington, Oleta Adams, Anita Baker, and others, helps my ears withstand the temptations of various musical fads. Or at least, I like to think so.
As a former Brooklynite myself, and knowing what I know about the indie music scene in NYC; the oversaturation, the competition, how do you make yourself standout?
I just bring my own little Southern soul flavor, and hope that it speaks to people. I take any and every piece of advice into consideration, but at the end of the day I define myself, my style and my sound, and I believe that it’s like a thumbprint – no one else has it.
I also make sure that I take time to foster my relationship with fans by talking to them on social media and releasing behind-the-scenes type material. I think that’s a great way to continue to stand out.
Last question: “Be Careful” is my joint! “Be careful with your mind/be careful with your time … be careful who you let in.“ Dope beat with a message to boot. What was the inspiration behind the lyrics?
Thank you! My mom’s various pieces of advice over the years definitely inspired that song. She always warned me, “You can’t walk away from everybody,” as a way of saying that I should be careful about people I chose to let into my life. So I took that idea and made it a little colorful for the song.
I think that negative relationships have ‘enslaved’ a lot of people today – I say enslaved because when you’re not able to speak freely, move about, pursue your interests, build your wealth, and all because of a partner or friend who is negatively affecting your progress, you’re being robbed of your freedom! How can you pursue happiness? So I feel like people – especially young girls – should really treasure their time, their minds and their bodies, and be very selective about who they allow to partake. That goes for boys and men, too! Everyone deserves to be treated like pure gold.
Collette’s Juneteenth Revolution is available now on iTunes.
New Video: Candice Anitra – “Big Tree”
Artist: “Left-of-soul” singer-songwriter Candice Anitra | Song: “Big Tree” | Album: Big Tree | Genre: pop/soul
New Podcast: Full Crate & FS Green – Mixing Monthly October
Amsterdam-based duo Full Crate & FS Green are back with another dope mix of downtempo, hip-hop and neo-soul vibes in “Mixing October 2012.” With a slew of indie and mainstream artists in rotation, once again discover new sounds and support your local record stores in the process.
Full Crate & FS Green
Mixing October 2012
+ The Internet – Give It Time
+ αtμ – Sept Nights
+ Nas – Owe Me Ft. Ginuwine (Sango Edit)
+ Sweater Beats – The Limit
+ Cashmere Cat – Paws
+ Insightful – Allah
+ Robert Glasper – Twice Ft. Solange Knowles & The Roots (?uestlove’s Twice Baked Remix)
+ Mister Lies – Cleam
+ Duck House – Flaw
+ Freddie Joachim – Golden Temple Ft. Mar
+ Michael Jackson – Butterflies (Nelson D Mix)
+ Satin Jackets – Aaliyah’s boat
+ Janet Jackson – If (Kaytranada Rmx)
+ Utrecht – APC
+ Sky Ferreira – Everything Is Embarrasing
+ Ruddyp – Cater 2 U (Carling Ruse Remix)
+ Rihanna – You Da One (J.u.D. Remix)
+ Mr_Carmack – The Next Morning
New Audio: Karen Gibson Roc “This Is My Home” (prod. DJ Boulaone)
Artist: Spoken word artist & musician Karen Gibson Roc
Single: “This Is My Home”
Genre: Electronic-jazz-poetry
Album: The Cool of the Day (Lemongrassmusic) released Sept. 21.
New Podcast: Full Crate & FS Green – Mixing Monthly September
Amsterdam duo Full Crate and FS Green’s newest compilation, Mixing September 2012. Enjoy!
Full Crate & FS Green
Mixing September 2012
+ André 3000 – Prototype (DJ Archi Edit)
+ How To Dress Well – & It Was U
+ Bwana – Baby Let Me Finish (Saine Remix
+ Alex M – It Works
+ Mark de Clive-Lowe – Get Started Ft. Omar (Full Crate Remix
+ Cajmere – Chit Chat (Clubhouse Remix)
+ Wolf Club – Desverre
+ Urulu – No More
+ Artful Dodger – Something
+ Copy Paste Soul – I Need Ya
+ Drive Me Home – Make Up Sex
+ Koloah – Thru Memories
+ Nangdo – Hear What
+ Clicks & Whistles – When I Feel
+ Inc – The Place









![Love Jones: The Music [Columbia/1997]](http://www.uncloudedbyambition.com/wp-content/uploads/2013/02/Love-Jones_the-music.jpg)


![Erykah Badu "Baduizm" [Kedar/Universal/1997]](http://www.uncloudedbyambition.com/wp-content/uploads/2013/02/Erykah-Badu_Baduizm.jpg)
![Eric Benet "True to Myself" [Warner Bros/1996]](http://www.uncloudedbyambition.com/wp-content/uploads/2013/02/Eric-Benet_True-to-Myself.jpg)
![Maxwell, "Urban Hang Suite" [Columbia/1996]](http://www.uncloudedbyambition.com/wp-content/uploads/2013/02/Maxwell_Urban-Hang-Suite.jpg)









